Count Basie Orchestra
THE LEGENDARY COUNT BASIE ORCHESTRA
Born in Red Bank, New Jersey, in 1904, William “Count” Basie was not always the fabled Count. He began his career as Bill Basie, an itinerant pianist who made his living pounding the keys in theatres featuring silent movies and touring on the Theatre Owners Booking Agency (TOBA) circuit, a hopscotch run of independent performance venues, in black communities stretching from East to West, North and South.
TOBA was also known as Tough On Black Artists, or less affectionately Tough On Black you-know-whats. In 1927, Basie, then touring with Gonzelle White and the Big Jazz Jamboree, found himself “high and dry” in Kansas City, Missouri. It was unlikely that Basie had followed Horace Greeley’s, actually John B.L. Soule’s, entreaty to “Go West young man” and his destiny was certainly not manifest. As Basie recounted in his autobiography, Good Morning Blues, “I don’t remember what my plans were at that time, but in the meantime I got sick and had to go to the hospital.”
Nevertheless, for a musician of Basie’s inclinations, Kansas City was not a bad place to be stranded. In the 1920s and 30s, Kansas City was headquarters for the territory bands that plied the mid and southwest. KC was also a veritable cauldron for the heady mixture of blues principles, ineffably swinging rhythms and brilliant instrumentalists that coalesced into one of the signature sounds of American music, both popular in its appeal and substantial in its musical import. Basie quickly fell in with the best of the territory bands, including Walter Page’s Blue Devils and Benny Moten’s Kansas City Orchestra. By 1935, Basie’s destiny was becoming manifest. He had formulated and was leading the band that epitomized Kansas City Swing, The Count Basie Orchestra. Along with the bands of Fletcher Henderson, Duke Ellington and Benny Goodman, Basie’s orchestra would define the big band era.
While the media of that time crowned Benny Goodman the “King of Swing,” the real King of Swinging was undoubtedly The Count. Basie’s achievements, however, would transcend the Swing Era as such. The Basie orchestra evolved into one of the most venerable and viable enterprises in American music, as meaningful in its legacy and continuing productivity as any musical organization of the 20th, and now 21st, century.
Interestingly, the critical consensus characterizes the Basie lineage in Biblical terms, as the Old and New Testament bands. The Old Testament band’s style has been summed as a combination of democratically developed, or head, riff-driven arrangements, dripping with blues essence and relaxed, but relentless, swing that showcased a who’s who of very distinctive instrumentalists and vocalists: Lester Young, Herschel Evans, Harry Edison, Buck Clayton, Dicky Wells, Jo Jones, Freddie Green and Jimmy Rushing among others.
In the early 1950s, The “New Testament” Basie Orchestra rose Phoenix-like from the ashes of the Big Band era. For the last fifty plus years, the Basie Orchestra has been an arranger’s palette. Thad Jones, Ernie Wilkins, Neal Hefti, and Frank Foster, to name a few of the more prominent Basie’s penmen, have added volumes to the Basie Library. Through them, the Basie repertoire has continued to broaden harmonically and rhythmically, making it more than hospitable to the talents of successive generations of musicians. As Basie allowed for a certain measure of change and for a variety of voices to emerge on the platform he created, his remained the ultimate sensibility.
Since Basie’s passing in 1984, Thad Jones, Frank Foster, Grover Mitchell, Bill Hughes, and now Dennis Mackrel have led the Count Basie Orchestra and maintained it as one of the elite performing organizations in Jazz. Current members include musicians hired by Basie himself – John Williams (joined 1970), James Leary (joined 1982), Dennis Mackrel (joined 1983), Carmen Bradford (joined 1983) Clarence Banks (joined 1984) as well as Mike Williams (1987, formerly w/North Texas State One O'Clock Band), Doug Miller (1989, formerly w/Lionel Hampton), and members who have joined in the last 15 years - David Keim (formerly w/Stan Kenton), Alvin Walker (Virginia State), Will Matthews (formerly w/Jay McShann), Marshall McDonald (formerly w/Lionel Hampton, Paquito D'Rivera's United Nations Orchestra), Doug Lawrence (formerly w/Benny Goodman, Buck Clayton, Wild Bill Davis, Jimmy Cobb, Grover Mitchell), Cleave Guyton (formerly w/Lionel Hampton, w/The Duke Ellington Orchestra, Muhal Richard Abrams), Derrick Gardner (w/Harry Connick Jr., Kris Johnson (Michigan State) and Marion Felder (Julliard School of Music).
THE LEGENDARY COUNT BASIE ORCHESTRA
DENNIS MACKREL Director
MARSHALL McDONALD 1st Alto Saxophone
CLEAVE GUYTON 2nd Alto Saxophone, Flute
DOUG LAWRENCE 1st Tenor Saxophone
DOUG MILLER 2nd Tenor Saxophone
JOHN WILLIAMS Baritone Saxophone
DAVE KEIM 1st Trombone
CLARENCE BANKS 2nd Trombone
ALVIN WALKER 3rd Trombone
MARK WILLIAMS 4th Trombone (bass)
MIKE WILLIAMS 1st Trumpet
SCOTTY BARNHART 2nd Trumpet
KRIS JOHNSON 3rd Trumpet
DERRICK GARDNER 4th Trumpet
TONY SUGGS Piano
WILL MATTHEWS Guitar
JAMES LEARY Bass
MARION FELDER Drums
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